that the "Belus" that Virgil names as the father of Dido in the Aeneid may be a reference to her grandfather, Baal-Eser. (Cross's translation, with a longer discussion of the Nora stone, is found in the Pygmalion article). It is not known who first combined the story of Dido with the tradition that connected Aeneas either with Rome or with earlier settlements from which Rome traced its origin. There the exiles also seized about eighty young women who were prostituting themselves on the shore in order to provide wives for the men in the party. If Cross's interpretation is correct, this presents inscriptional evidence substantiating the existence of a 9th-century-BC king of Tyre named (in Greek) Pygmalion. Parkes mentions that milk-kinship was further endorsed as a canonical impediment to marriage by several eastern Christian churches. It was as much of a taboo to marry your milk-brother or -sister, as it was to marry a biological brother or sister. Some senators also joined her in her flight.
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Héritier explains Islamic juridical reckonings of milk kinship as the continuation of a somatic scheme of male filiative substances transmitted by lactation. Héritier's somatic thesis posits that Islamic marriage between milk kin is forbidden because of an ancient pre-Islamic meme that is communicated in the Arab saying the milk is from the man. 5 Other works state it is the feminine form. This particular form of kinship did not exclude particular groups, such that class and other hierarchal systems did not matter in terms of milk kinship participation. By nursing him, Halimah bint Abdullah became his "milk-mother." The rest of her family was drawn into the relationship as well: her husband al-Harith became Muhammad's "milk-father and Muhammad was raised alongside their biological children as a "milk-brother". Before she falls asleep every night, the narrator entertains herself with made-up stories about her own heroic exploits. Traditionally most modern scholars have preferred the 814 date. Virgil consistently uses the form Dido as nominative, but derivates of Elissa for the oblique cases. (1.657f) Dido and Aeneas fall in love by the management of Juno and Venus, acting in concert, though for different reasons. At least two scholars have argued that the inclusion of the pyre as part of Dido's suicideotherwise unattested in epic and tragedyalludes to the self-immolation that took the life of Carthage's last queen (or the wife of its general Hasdrubal the Boetharch ) in 146.
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