recognized that the people as a whole had become dependent on wartime purchases by the Allied powers. Morgan, the Rockefellers, and the Du Ponts were named. Kincaid 2005 argues share certain family resemblances in what. This emphasis on the people, and their economic needs, became background discussion as the events leading.S. Higgins "Where No X-Man Has Gone Before!" Mutant Superheroes and the Cultural submission proposals for conferance paper Politics of Popular Fantasy in Postwar AmericaRamzi Fawaz. Critics on the Left, many of them strongly opposed to the war decision on grounds that it was inimical to the interests of the workingman or out of an ideological pacifism, supplied an explanation that stressed the malign influence of an economic elite. Barnes, Grattan, and Beard, who turned his attention from domestic history to current foreign policy, stressed the inability of banking and commercial elites to redefine the American "national interest" to suit themselves and their international connections.
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This tradition has been rendered visible since the 1990s with growing attention given to it by scholars as a field of study. Cloth,.00; paper,.95. Rabkin 1976 calls a super genre. Involvement in war commanded immediate attention. "The anatomy of collective opinion shows it to be organized from centers and subcenters, forming a kind of intellectual feudal system.". Most American critics having a view of society as headed, if not actually led, by elites have stressed the influence of business groups. Distinguishing speculative fiction from naturalistic or mimetic fiction has been a key element of criticism since the 1940s. Kincaid internal and external audit essay appropriates philosopher Ludwig Wittgensteins notion of family resemblances to capture the constant state of flux and impermanence of patterns in the genre.